#you can never escape them

[starblizzard247]

How are the English cast of FE3H in literally *everything*??? Not that I’m complaining (they are all f*cking incredible) but holy crap

[televisionlassie]

Sometimes is just feels like everything comes back to them

[butcherb1rd]

[new age radio host voice] and now, just for our lovely listeners… the song of the summer! [voice fades out, a pause, followed by 20 minutes of cicadas droning]

[dragonqueenofice]

Being followed by the sexy girlbots again 😔

[dukeofthomas]

I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.

Because that's not what happened.

Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.

Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.

...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.

[puppetmaster13u]

Still Thinkin of Yokai Amity

Y'know, where all of Amity have pretty much become yokai creatures. I might be weak for Japanese mythology and cryptids. Or really all mythology and cryptids, but Japan has a lot and it's near never-ending meaning it's fun to continue discovering and learning stuff. But anyway!

Amity Park, practically empty of humans now. Not even following the usual rule that things do thanks to how malleable ecto is. Along with how a form usually depends on ones own thoughts, feelings, and Core.

But anyway, Amity? Kind of having some trouble now that, again, no one there counts as human. Visibly so. Which, yeah the GIW is sort of incompetent, but it's also kind of... not?

Let them reiterate, individually or even in pairs, they can easily deal with the Guys in White. Heck, even a small battalion is easy enough- but they have... a lot of people. And the backing of the government. So.

Plan B? Escape. Where to?

Well, see, they've all had to interact more with the Realms, not to mention that well, the entire town was pulled into it at one point. Which was how everyone got that last bit of ecto to push the transformations from contaminated to Liminal.

Which means? Time to escape through the Realms to somewhere, maybe even somewhen else. But they also can't stay in the Realms indefinitely. Because even with their own Cores, most of them are still Living.

But they also can't agree on a World to settle down in, not with how they're still wary of reactions. So what's a city to do?

Why, pop into multiple worlds of course. A wandering city, the entrance shifting through gates and alleys and doorways that appears through time and space.

Sometimes another haunted being finds their way through, sometimes they visit one dimension more than another- sometimes they leave one behind forever. But tales still spread of the wandering city that flickers through existence.

[arttsuka]

I LOVE Teen Stan and Ford, it’s sad they don’t get drawn enough, so thank you so much!

Does Ford ever help Stan when he gets overstimulated? Or maybe when he has a rage response and suddenly starts crying and calls himself stupid?

Here's the other post with Ford

[chappellrroan]

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[dyerink]

klance page + one (1) kageyama tobio

[lesbianwithchainsaws]

Hate to be the guy that goes "um, actually" but every time there's a poll on "what horror movie villain do you think you'd survive" there's always so many people who believe they would survive Chucky and use the excuse of "I could just kick him. He's a doll". First of all, he's not just a doll. His soul is in a doll, but the longer his soul is there, the more human he becomes and current day Chucky is more like a small human being than a doll. Second of all, he is notoriously difficult to kill. You can kick him all you want, that won't do shit. At best you'll buy yourself a few minutes to run. Chucky has survived being beheaded, being burned alive and melted. You're gonna have to work quite hard to kill him. Third of all, even if you do kill him, he will either come back or a different version of him is going to come for you. Now if you haven't seen all the movies/the show, Chucky transfers his soul into multiple dolls. It's possible for him to create like an entire army of Chucky dolls that want to kill. So even if you're lucky enough to get one, chances are there's another few coming for you. And even if there is only one, he comes back to life all the time. Fourth of all, he is violent as hell. If you try to kick him, he will stab your feet. Try to pick him up, he will bite you. He doesn't care. He might be small, but he's still quite strong and violent. Fifth of all, no one will help you until its too late. The reason Chucky is so efficient is because he looks to be just a doll and no one assumes he's alive. So he can run around and do whatever the hell he wants without consequences. Even if you witness him being alive, most likely no one will believe you when you tell them about it. Also since he's a doll, he can just pin any murders on you. Attack you, cover you in blood, and then, when the cops are coming, all he has to do is freeze. Sixth of all, he is patient. He will wait for weeks and months to kill, if need be. In the meantime he will manipulate and kill those around you. Also remember that him being small means he's also fast. Fast and small means he's harder to spot and catch once you know he's alive. In conclusion, no Chucky is not an easy killer to survive. You cannot think of him as a doll, but you have to think of him as a small, violent human being. You can't just kick him and run, that will not work. If you underestimate him because he looks like a doll, you will die.

[elijah-loyal]

bawling rn i so hope i'm wrong bc it's sounding a LOT like jon is indeed trapped in the computer

which means he didn't escape. he didn't escape Somewhere Else. There is no Somewhere Else thats warm and safe for him.

He's still Watching, will always still be Watching, because after all, the Watcher is ceaseless after all

[hecksupremechips]

Thinking of vlr Akane is so conflicting cuz on one hand I’m so upset that she doesn’t ever get a moment to just rest and enjoy being alive again I’m upset that she just gets deeper and deeper into this role she’s built for herself and she loses her humanity and will never ever be that girl who died in the incinerator. But on the other hand, I need her to get so, so much worse I need her to be so obsessed with perfection she has this unique ability to change the course of history and she will burn everything and everyone to the ground in the blink of an eye if it means she can "reset" and get a perfect timeline and I desperately need her to never be satisfied with anything because really, is there anything that’s worth all the damage she’s caused?

[atopvisenyashill]

i was thinking more about characters Performing Gender, but not necessarily Transgressing Gender. I wound up focusing on Ned and Sansa bc I feel like I understand them the most but-

Sansa as a hostage is imo the most obvious (bc it’s so well done) moment of someone clearly Performing Gender but not being transgressive in that performance. Which isn’t to say it’s not a complicated performance; it’s a fine line Sansa walks between weaponizing her gender to protect herself without seeming too fake. She’s trying to placate the Lannisters by playing the perfect, dedicated, air headed betrothed because it’s the only defense she has - if she outwardly rebels, she will be punished in a likely violent and/or sexual way (which isn’t even conjecture - when she says “or maybe he’ll give me yours” Joffrey has her struck with an armored hand). She’s not quite successful in being convincing but that’s because it’s a rather extreme situation; despite no one believing her, she does make herself seem meek and stupid enough that no one suspects she’s plotting to escape with Dontos until she’s well away from KL. The fact that she even has Dontos to confide in is because of Sansa’s relationship with gender! When she saves him, she covers her rebellious slip by playing up Joffrey’s intelligence & his role as King; she reaches for “tools” of her gender AND of ~proper manhood~ to save a life and herself from another beating. Her retreats into the godswood and silence are very much Sansa attempting to recharge from these draining interactions, the same way a knight would need to stop and eat and rest after a fight. She is fighting, constantly, by forcing herself to stay within the narrow confines of a specific type of gender performance as a way of shielding herself from harm.

Ned yelling at Cat is another big one, and I’ve seen the scene referred to as Ned using his patriarchal power to scare Cat, which is a great description. It feels like a Performance because Ned is putting on this terrifying Lord Stark mask in an attempt to get Catelyn to stop asking about Jon (and Lyanna). This is not how he usually acts with those he loves! When Ned is with His People, he is welcoming of questions, curiosity, emotion, even transgressive thought (to a point! the idea that Ned is a feminist because he lets Arya learn to fight is Not accurate but you can’t deny he allows significantly more flexibility wrt gender expression than most of the fathers we meet in this series. the bar is in hell tho). Yet when Cat asks him about Jon’s mother, Ned scares her so well she stops asking & still remembers the moment bitterly over a decade later. And if that snippet we see through Bran’s eyes of Ned praying that Cat will forgive him does come after she asks (like it’s suspected), it’s clear not only that this is a performance he’s putting on & weaponizing against Cat, it’s one he does not like using as a weapon against someone he is close to. After using the power his gender gives him to cause harm, he retreats to the godswood and silence to pray and rest, much like Sansa. A spiritual cleanse, the way a soldier may pray after battle, to reset and reconnect Being A Proper Man to Being A Kind Man.

I think there’s something interesting in that two of the characters most widely defined by how well they adhere to Westerosi gender norms both dislike feeling like they had to weaponize their gender. They are exhausted by the performance, because it’s a performance. This isn’t Sansa getting excited over tourneys, or Ned teaching his sons to fight; it’s toxic masculinity, it’s structural misogyny. It’s something they’re good at, excel at, and connected to something they enjoy but when it’s paired with violence, whether done by Ned or done to Sansa, it crosses over in their minds from an innate part of themselves (The Gender) to a performance necessary due to survival (The Gender Role). And that after these performances, both retreat to nature & god as a way of resting and cleansing from the experience.

[moonagedaydreamsofrhiannon]

casey “i still haven’t found what i’m looking for” mcdonald and derek “all i want is you” venturi

[whatthefuckisasweep]

one thing i really like abt grimmons is, in a way, the only thing really in the way of it is their rancid communication skills and pathetic inexperience with romance. like, grif and simmons both know everyone else fucking knows. they also do couple-y things and they KNOW it. the thing is they just DONT fucking talk about it. they are ALLERGIC to feelings and talking it out. its NOT a matter of stupidity and ignorance — they just dont fucking know how to even BEGIN to navigate it, and it fucking kills me dead.

i LOVE that. i love how theres this really unspoken codependency that toes the line and breaks both of their brains.

its not quite pining in the traditional sense of the word. but its not like its unrequited. its like mutual emotional twister. how far can we go without directly tackling the issue? how the fuck do we even adapt traditional romance when we’re fucking 40 or something and all we’ve known is war and death and sarcasm? left hand red, right hand orange. LOL